A Journey of Faith and Healing

This is my first time reading a book by Susan F. Craft, and I absolutely loved Trail to Love. Craft has a wonderful way of blending historical detail with a heartfelt romance that feels both authentic and uplifting. This Christian Historical Romance, set during the era of wagon trains, captured my attention right from the start.

Trail to Love follows Anne Forbes, a woman grieving the loss of her fiancé who seems to have given up on the idea of love. As she embarks on a wagon train journey to South Carolina with her brother’s family, her life takes an unexpected turn when she meets Michael Harrigan, a widowed father. Their shared journey is filled with emotional challenges and moments of hope, as both characters must confront their pasts and open themselves to the possibility of love again.

The relationship between Anne and Michael develops in a slow and meaningful way, grounded in mutual respect and understanding. I appreciated how Craft portrays their growing connection against the backdrop of life on the trail, with all the difficulties and dangers that come with it. The presence of another woman who has her eyes on Michael adds tension, making Anne question whether she’s ready to open her heart again.

Craft’s descriptions of the wagon train journey feel vivid and immersive, bringing the setting to life while also adding depth to the characters’ emotional struggles. Their faith and resilience are central themes, and the way they each come to trust in God’s plan is inspiring.

The story beautifully explores themes of loss, faith, and the healing power of love. Trail to Love is a heartwarming and memorable read that left a lasting impression.

I give this book a 4.5 out of 5 stars!

Note: I received a copy of this book from the author and was not required to write a positive review.

Trail to Love is on Tour with Celebrate Lit.

Author: Susan F. Craft

Genre: Christian Historical Romance

Release date: September 17, 2024

A widowed father…a heartbroken nanny…and a wagon train journey that will change their lives forever.

Since the death of her fiancé, Anne Forbes has given up on the life she thought she’d have. After taking a role as nanny to her two young nephews, she’s grown close to her brother’s family—a replacement for the one she never had the chance to start. But when she accompanies them on the wagon trail to their new life in South Carolina, a handsome and gallant widowed father who’s also part of the group catches her eye and her heart, making her wonder if God might have plans of love for her after all. If only the beautiful woman the man escorts didn’t have her sights set on him.

Michael Harrigan never considered remarrying after the death of his wife. No woman could ever compare. But when he meets the gentlehearted Anne while escorting his sister-in-law on their journey to the Blue Ridge Mountains, he’s taken aback by Anne’s lovely voice and her compassion. As they face the trials and adventures of life on the trail, he finds himself open to the idea of marriage for the first time in many years.

But when disaster strikes the wagon train, Michael and Anne must work side-by-side to save lives. In the midst of their struggles, can they find a way to abandon their separate trails of grief and hardship for the trail to love?

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About the Author

Susan F. Craft retired after a 45-year career in writing, editing, and communicating in business settings.

She authored the historical romantic suspense trilogy Women of the American Revolution—The Chamomile, Laurel, and Cassia. The Chamomile and Cassia received national Illumination Silver Awards. The Chamomile was named by the Southern Independent Booksellers Alliance as an Okra Pick and was nominated for a Christy Award.

She collaborated with the International Long Riders’ Guild Academic Foundation to compile An Equestrian Writer’s Guide (www.lrgaf.org), including almost everything you’d ever want to know about horses.

An admitted history nerd, she enjoys painting, singing, listening to music, and sitting on her porch with her dog, Steeler, watching geese eat her daylilies. She most recently took up the ukulele.

More from Susan

A History of Buttons

In my Christian Historical Romance, my main character, Anne Forbes, is a tailor and seamstress. When she arrives in Philadelphia from Scotland in 1753, she visits several shops and is amazed by the huge supply of buttons.

Buttons have been around for 3,000 years. Made from bone, horn, wood, metal, and seashells, they didn’t fasten anything, but were worn for decoration.

The first buttons to be used as fasteners were connected through a loop of thread. The button and buttonhole arrived in Europe in 1200, brought back by the Crusaders.

The French, who called the button a bouton for bud or bouter to push, established the Button Makers Guild in 1250. Still used for adornment, the buttons they produced were beautiful works of art.

By the mid-1300s, tailors fashioned garments with rows of buttons with matching buttonholes. Some outfits were adorned with thousands of buttons, making it necessary for people to hire professional dressers. Buttons became such a craze that the Church denounced them as the devil’s snare, referring to the ladies in their button-fronted dresses.

In 1520 for a meeting between King Francis I of France and King Henry VIII of England, King Francis’ clothing was bedecked with over 13,000 buttons, and King Henry’s clothing was similarly weighed down with buttons.

In the 16th century, the Puritans condemned the over-adornment of buttons as sinful, and soon the number of buttons required to be fashionable diminished, though they were made from gold, ivory, and diamonds.

By the mid-1600s, button makers used silver, ceramics, and silk and often hand painted buttons with portraits or scenery.

The late 17th century saw the beginning of the production by French tailors of thread buttons, little balls of thread. This angered the button artisans so much that they pressured the government to pass a law fining tailors for making thread buttons. The button makers even wanted homes and wardrobes searched and suggested that fines be levied against anyone wearing thread buttons. But in la Guerre des Boutons, it’s not clear that their demands went beyond fining of tailors.

Towards the end of the 1700s in Europe, big metallic buttons came into fashion. At this time, Napoleon introduced the use of sleeve buttons on tunics. This time period saw the development of the double-breasted jacket. When the outside of the jacket was soiled, the wearer would unbutton it, turn the soiled surface to the inside, and re-button.

Thread buttons were used on men’s shirts and other undergarments from the late 17th into the early 19th century. Cheaper, they wouldn’t break when laundresses scrubbed and beat the material. They were also used on shifts and undergarments because they were soft and comfortable. Other types of thread buttons were death head buttons, star buttons, basket buttons, and Dorset buttons. Some said that death head buttons were called that because they resembled a skull and crossbones, memento mori, a reminder that life is short and should be lived as well as possible. Dorset buttons originated in Dorset in southern England where they became a cottage industry. Families, prison inmates, and orphans were employed in the manufacture of thousands of Dorset buttons each year, which were used throughout the UK and exported all over the world.

Bone button molds, slightly domed on one side and flat on the other, were common in the mid to late 18th century. Button molds were used to make both cloth and thread (passementerie) covered buttons.

Horn buttons were used mostly for spatterdashes and gaitered trousers. These strong durable buttons were competitive in price with other types but available in limited numbers in the 18th century since the making of them was slow.

Many colonial American buttons were made from seashells, wood, wax, and animal bones. The bones were boiled for 12 hours, cut into small pieces, shaved around the edges and had a hole punched through them with an awl. The shape was up to the maker — round, oval, square, rectangular, or octagonal.

Brass buttons, functional and ornamental, were also popular in colonial America. In 1750 in Philadelphia, a German immigrant, Caspar Wistar, made brass buttons guaranteed for seven years. He later opened the first successful glass making factory in the colonies.

(I want to thank the William Booth Drapers of Racine, WI, for some of the information provided in this post. Please visit their website at www.wmboothdraper.com where you’ll find a treasure trove of books about 17th and 18th century fashion — shoes, slippers, hats, bonnets, buttons and trimmings, etc., and Packet books about sewing. Fantastic resource. Thank you, William Booth Drapers.)